i tramonti
(PAUL BAJCAR)Friends making music they love. I am 1 of 5 people in this band called i tramonti. I am also 1 of 3 in a band called Clones of the Queen, I am also 1 of four in Emu Attack. We live in Honolulu. I also write music reviews in Contrast Magazine. I also help with Flow Skateboard Magzine.
This is our page:
www.clonesofthequeen.com
www.flowskatemag.com
http://www.facebook.com/pages/i-tramonti/205143901466
www.MakeMeInTheFuture.bandcamp.com

This is some of the music I love just to name a few...Mineral, Christie Front Drive, Drive Like Jehu, Jets To Brazil, Jawbreaker, Jazz June, Minus the Bear, Velocity Girl. Built to Spill, Pixies, Breeders, Lush, Ride, Koufax, Denali, Ambulette, Interpol, The Departure, Chamberlain, Braid, Hey Mercedes, Cursive, The Get Up Kids, Casket Lottery, Crystal Skulls, Portugal the Man, Pale Saints, Boo Radleys, Oasis, El Ten Eleven, SDRE, Sundays Best, Smashing Pumpkins, The Jealous Sound, Superchunk, The Whitest Boy Alive, Tristeza, Caribou, The Stills, Hint, Mr. Scruff, CasioKids, Lali Puna, Kenny Burrell, Horace Andy, Star Slinger, Penguin Prison, The Bird Day, Dinosaur Jr, Pretty Girls Make Graves, Ra Ra Riot, The Anniversary, Ivy, Morcheeba, Phantogram, Hum, Kid Koala, Beulah, And You Will Know Us By The Trail of Dead, RJD2, Alkaline Trio, The Distillers, The Bronx, Volcano, I'm Still Excited, Rainer Maria, Headlights, Sharon Jones and the Dap Kings, Dakataris, Lifetime, Radiohead, Sarah Shannon, Maritime, The Promise Ring, Pohgoh, Garden Variety, Teen Daze, Emay, Blackbird Blackbird, Baths, Twin Shadow, Brookville, Tahiti 80, Bon Accord, Morgan Greeenwood, My Favorite, Beady Eye, Braids, Two Bicycles, Chune.
Star Slinger, Blackbird Blackbird, Teams, Geotic, Grimes, Roman Ruins, Haha, Bilinda Butchers, The Honey Hush, Pandit, Joywave, Chrome Sparks, Over the Air, Cloud Nothings, Gnarwhal, Siblings, Coral Stabz, Temple Fugate, Monarx, Welwing, Herbivorous Men, The Joy Formidable, M83, Belly, Blood Cave, Applecore, Wich Baby, Merchandise, Pink Mist, The Uku's,
The Guards, Beach Fossils, DIIV, Prolific Unknowns, Welwing, Aloha, Nitemoves, LWNMWR, Spazzkid, Baths.
sonails:

To understand Brötzmann, a study of the photos from the 1960’s and 1970’s is instructive. European basements became the real proving ground of jazz, just as they once were in 1940’s and 1950’s urban America. Not the academy or the textbook, but the listen-and-play-and-learn, and then keep playing school of jazz. Brötzmann and others like him defied critical indifference by setting up their own record labels and building up their own facilities to further their musical ambitions. It was music formed in basements shielded from the influence of any popular public life. Their rhetoric was critical and severe because they felt the times demanded it. The severity of their thinking was matched only by the ignorance of the general public towards their existence. They not only learnt to play differently but to link their playing to thinking differently.
  1. sonails:

    To understand Brötzmann, a study of the photos from the 1960’s and 1970’s is instructive. European basements became the real proving ground of jazz, just as they once were in 1940’s and 1950’s urban America. Not the academy or the textbook, but the listen-and-play-and-learn, and then keep playing school of jazz. Brötzmann and others like him defied critical indifference by setting up their own record labels and building up their own facilities to further their musical ambitions. It was music formed in basements shielded from the influence of any popular public life. Their rhetoric was critical and severe because they felt the times demanded it. The severity of their thinking was matched only by the ignorance of the general public towards their existence. They not only learnt to play differently but to link their playing to thinking differently.

  1. 9 notesTimestamp: Saturday 2012/06/30 13:38:47Via: sonails
  1. thepinnacledjb reblogged this from sonails and added:
    To understand Brötzmann, a study of the photos from the 1960’s and 1970’s is instructive. European basements became the...
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